THE PAST
ORA
It doesn’t make any sense!!
KEVIN
Are you okay?
Karras made tea, thought you’d want
some.
ORA
Thanks.
KEVIN
Interesting set-up.
ORA
I’m trying to make any order out of
all the Prophecies.
KEVIN
Any luck?
ORA
Well...I started putting duplicate
ones into piles.
KEVIN
Oh...these are in piles? ‘Cause I
think that means you have a few
dozen piles.
ORA
So, to answer your question,
no...no luck. This is too hard. How
can I find the original Prophecy
without anything to go on? I mean,
It was easy enough to find some of
the fakes that were written for the
tournament; See look here. They
often call the Chosen One by name.
But after removing those, what’s
next? How do I separate the lies
from the truth?
KEVIN
I don’t think anyone can be
completely sure they know the
truth, but maybe there’s something
that all the ones based on the
original share.
KEVIN (CONT'D)
Besides the obvious fakes, what’s
something the others have in
common?
ORA
Well, I originally thought if I
studied the Prophecies written on
old parchment I’d be able to find
one that stood out as the
original...
KEVIN
See? There you go...
ORA
But some of the Prophecies on much
newer paper have the exact same
lines as the older ones. And some
of the newer ones describe
this...unusual...situation we’re in
so well, it’s hard to discount
them.
KEVIN
So...huh.
ORA
Most have the same whimsical style,
where the lines sound like a bad
poem without rhyming. That’s
actually been the problem. I
thought maybe if I just fit the
lines that rhymed together, It
would be like a map or a puzzle.
But that failed very quickly
because the rhymes contradict
themselves.
KEVIN
You may need a break.
ORA
I’m fine.
This tea is actually really good.
KEVIN
I know we already had food, but are
you still hungry? I could try and
find out something else. Maybe
something sweet?
ORA
Thanks, but I’m alright.
I guess I should have suspected I
wouldn’t be able to solve anything
in a day. I’m not great at being
patient, I guess.
Seems like the only thing I have
been good at is getting people
killed.
KEVIN
Don’t say that. Nothing’s been your
fault; it’s either been bad luck or
bad people. If anything, your hope
is what brings people together.
ORA
Corpses rose up and killed people,
I think we need more than hope.
KEVIN
Well, you can’t berate yourself for
not finding the true Prophecy when
obviously no one’s figured It out
in fifty years. Or more than fifty?
Just how old is this thing, anyway?
ORA
Old. When my parents were teaching
me how to read, they included dead
letters since they were in the
Prophecy my mom had.
KEVIN
Dead letters?
ORA
That’s what we called them anyway.
You see, language changes over time
and when our grandparents were
young the alphabet sometimes
included redundant letters. I mean
maybe they were some sound years
and years ago, but they just became
symbols that represented a sound
that could also be represented with
other letters. Something that was
lost. They’re almost never used
now, hence “dead letter.” I’ve only
seen them in Prophecies and really
old books. Oh. Thats It!
KEVIN
What are you doing?
ORA
Look at this! Look at this. It’s a
dead letter. It looks like a
lowercase “p” with an “l” on top of
It.
KEVIN
You do remember I can’t read,
right?
ORA
And this is a newer Prophecy! By
the feel of the parchment, It can’t
be more than five years old. So why
would It have a dead letter?
KEVIN
Because It copied that letter
from...somewhere?
ORA
EXCATLY! The dead letters mean
those lines were copied! I always
wondered why my mom’s Prophecy had
dead letters in some of the lines,
but not in others, even though It
was the same sound. It wasn’t a
spelling mistake, it’s because some
of the lines were copied and from
an older document that used older
letters.
KEVIN
That’s...um...great?
ORA
YES! With this, if I find all the
lines with the dead letters, then
those have to be the oldest lines.
And if I can compare those then
maybe we can get a version of the
Prophecy that’s close to the
original.
KEVIN
You seem happier?
ORA
Maybe we can actually do this!
Oh, there’s a dead letter. Of
course this old one is full of
them. I should have arranged things
better...
KEVIN
I’ll uhh....I’ll get you some more
tea.
ORA
Uh-huh.
FORMOSA
Hey, how’s Ora?
KEVIN
She’s...well, she’s happier. She
thinks she had a breakthrough
figuring out the Prophecies. I
don’t know, It all makes me
worried. I think she’s going down a
bad path. Oh, and she said the tea
is good.
KARRAS
(Grunts happily.)
KEVIN
Where’s Isten? I haven’t seen him
for hours.
ELIZABETH
He’s outside.
KEVIN
It’s a cold night. What’s he doing
out there?
FORMOSA
I asked if he wanted supper, but he
said no. I think he wants to be
alone.
ELIZABETH
Maybe Isten wants tea.
KEVIN
I’ll ask.
KARRAS
Thought you hated him.
KEVIN
I thought you hated him, too.
KARRAS
Humm...it’s tricky, I think I...
Hummm...
KEVIN
Things change. Don’t worry, I won’t
try to kill him. Besides, even if I
did, he’d just rise again.
FORMOSA
Don’t say that.
KEVIN
Sorry. Bad joke.
I’ll go check if he wants tea.
Oh! Hey, Karras, throw me an apple.
FORMOSA
Really?!
KEVIN
(laughs)
Oh, leave me alone.
KARRAS
Here.
KEVIN
Thanks.
SPIRIT
(Whinnies)
KEVIN
Hey girl.
It’s Okay girl.
SPIRIT
(Blows)
KEVIN
Hahaha. I knew you would find us.
Ora was so excited to see you.
SPIRIT
(Blows)
KEVIN
I haven’t seen her smile like that
in a long time. Here, I brought you
a nice apple. Here you go.
(Chuckles). Now, don’t tell anyone.
Don’t want to get a reputation as a
softy, do I?
SPIRIT
(Blows)
(MORE)
KEVIN
Ha! Oh, stop It.
KEVIN (CONT'D)
You have the best bedroom in the
world, don’t you? I did love
sleeping outside.
Maybe I’ll just sleep with you out
here tonight, hmm?
SPIRIT
(Whinnies)
KEVIN
Haha! Okay, okay...I can take a
hint.
Get some rest. You deserve all the
rest in the world.
SPIRIT
(Whinnies)
KEVIN
Isten?
ISTEN
Yes?
KEVIN
Oh, there you are.
Do you want to come inside? Karras
made tea.
ISTEN
I’m not thirsty.
KEVIN
You could warm yourself by the
fire.
ISTEN
I’m not cold.
KEVIN
So, your plan is to stay outdoors
and stare at nothing?
ISTEN
They don’t want me inside.
KEVIN
Well, we don’t want you out here
either.
KEVIN (CONT'D)
(MORE)
Sorry...Look, I admit, we all
have...complicated relationships
with you. You were awful, but you
did save us back there. I don’t
know if we could have survived
without you. That helps with the
bad feelings a bit.
ISTEN
They stare at me with eyes filled
with horror and pity. I am their
own mortality, hobbling beside
them, proof of how death awaits us
all. And then, perhaps worse than
death. I think it’s best if I stay
away.
KEVIN
And I don’t look at you that way?
ISTEN
You look at me like I’m an asshole.
KEVIN
Oh...I’m sorry?
ISTEN
It’s a good thing. It’s how you
looked at me before. And uh, to be
fair, I was an asshole.
Sorry about that.
KEVIN
Are you really apologizing? I saw
the dead come back to life, but
this feels like a bigger miracle.
ISTEN
It’s comforting that you don’t look
at me differently. Though I suspect
that feeling is going to disappear,
too.
KEVIN
What do you mean?
ISTEN
Everything’s becoming dimmer.
Emotions, physical
sensations...even my thoughts are
becoming...sluggish.
ISTEN (CONT'D)
It’s like a fire has been put out
and the smoke still remembers the
heat of when It was a raging
conflagration, but it’s
disappearing into nothingness.
KEVIN
That’s terrifying.
ISTEN
I don’t fear oblivion. It almost
seems restful. What I fear is what
this body will do when what’s left
of my consciousness disappears.
Will I try to kill you? Will I
continue to follow after you like
some decaying pet? How can I do
that to you all? Despite
everything, Ora still believes in
me. And Karras... Karras deserves
so much more. I keep thinking of
what I could have done differently.
How many people I hurt. I have so
many regrets, yet even those
regrets are dimming into
nothingness.
KEVIN
Can I do anything for you?
ISTEN
I doubt there’s anything to be
done. Though everything withers
away, one thought grows: an aching
desire that there’s somewhere I
need to go.
KEVIN
Do you know where? Maybe It has
something to do with the Prophecy.
ISTEN
I thought you didn’t believe in
that.
KEVIN
I believe in Ora and she believes
in It. Maybe that’s enough.
ISTEN
You’ll destroy her, you know.
KEVIN
Why would you say that?
ISTEN
(sighs)
She trusts you...and yet you
disagree with her at every turn, in
every belief and yet you stay with
her. It’s a tough place for her to
be...you’re either wrong, or
enabling her.
KEVIN
I know Ora better then you ever
will. You keep your shit thoughts
to yourself.
ISTEN
Well, if I can’t have a friend with
me as I fade away, perhaps I can
have an enemy. That’s more intimate
in some ways.
KEVIN
Well, that’s a lousy excuse for
saying a horrible thing.
ISTEN
The stars are so bright tonight.
Were they always this bright, or
did I not notice?
KEVIN
You’re an asshole. Dead or alive,
you’re an asshole.
ISTEN
You may be right, but I’m glad
you’re with me.
KEVIN
I am too.
SCENE BRAKE
LINUS
What do we do now?
ANN
We go after everyone! They killed
Hal, I’m going to destroy every one
of them.
LINUS
We only survived because they
suddenly left, there’s no way we
can go against them again.
ANN
Coward.
VORLAUF
We do not need to concern ourselves
with the dead.
ANN
How dare you! I thought Hal meant
something to you!
VORLAUF
We go after Ora, the Prophecyseeker.
She was there when magic
was used when we raided that house
in the countryside. She used It on
me when we fought over the
Prophecies. And then all these dead
magically come back to life while
she’s around? I don’t believe in
coincidences.
ANN
Then we should still follow the
dead. If Ora’s doing this, then
she’ll be with them.
VORLAUF
Perhaps. Perhaps not. The dead can
follow exact commands, perhaps
she’s making them walk in the
opposite direction to lead us away
from her.
LINUS
You sound like you’ve seen this
before.
VORLAUF
I have.
ANN
You knew this was possible and
didn’t tell us?! Ugh!
VORLAUF
Put your sword away before I give
you mine.
ANN
If you had warned us then Hal might
still be alive.
VORLAUF
I’ve always said magic was evil.
Now, do you want to continue to
bicker amongst ourselves or do you
want to go after the person who did
this?
ANN
I’m not going anywhere with you
until you explain yourself.
VORLAUF
I don’t owe you an explanation.
LINUS
I’m with Ann. I’m not leaving
unless you tell us everything.
VORLAUF
Very well. Though let us walk as I
tell you, the blood on the streets
will attract Lusus Naturae.
I grew up in a small farming
village. My mother died in
childbirth and my father died in a
farming accident. My aunt took me
in and raised me like her own son.
ANN
Get to the point.
VORLAUF
Do you want a hasty explanation or
one that truly lets you understand?
LINUS
I want to hear everything.
ANN
Fine.
VORLAUF
I was close to a neighbor my age,
Diana. She was always energetic and
eager to help; smart, too. Bribed a
wandering priest to teach her how
to read.
If I ever find that priest, I’ll
kill him slowly.
LUSUS NATURAE
(Roar)
VORLAUF
We should quicken our pace.
LINUS
What happened to Diana?
VORLAUF
Somehow she got her hands on a
Prophecy and got It into her head
that I was the Chosen One.
ANN
You?
VORLAUF
According to her, I fit the
description. She described a male
orphan with the ability to fight,
but no taste for It. That peeked my
attention.
ANN
Did you believe It?
VORLAUF
I couldn’t read It; and she claimed
the rest described me perfectly. I
liked the idea that I was special,
but I didn’t like the idea of
having to change my life. Diana
wanted me to leave with her and
pursue my destiny, but I argued
that if I was truly the Chosen One
then whatever was fated to happen
would still happen even if I stayed
on my farm.
ANN
An argument I wish more Chosen Ones
would think of.
VORLAUF
But Diana was insistent and she had
a way with words. Finally, I agreed
to travel with her.
LINUS
Did you love her?
VORLAUF
I admired her. She was confident
and kind. We spent a year together;
track down other Prophecies. She
would read them to me and
everything seemed to fit.
Eventually, we went to a deserted,
walled city. She had It in her head
that if we could simply get inside
then the world would be saved.
ANN
I don’t see a saved world.
VORLAUF
We didn’t even make It to the gate.
Hundreds of dead guarded the city.
Some so rotted they were
practically skeletons, others so
fresh they seemed alive, but with
dead, dull eyes. And not only
humans, there were bears, gnomes,
Lusus Naturae, and more. A mass of
nightmares, standing guard, still
as the grave.
LINUS
What did you do?
VORLAUF
I was the Chosen One. How could I
not try?
LINUS
How...
VORLAUF
We tried to sneak past them. When
that didn’t work, we tried to fight
our way through. Diana died saving
my life, yelling at me to run. And
I did.
ANN
I’m sorry, Vorlauf.
VORLAUF
The dead caught me and as rotting
hands held me down, a man
approached. Tall. Handsome. Happy.
He asked if I wanted to play.
VORLAUF (CONT'D)
He used magic to control the dead
and, with a smile, forced me to
return to Diana. She laughed as
Diana’s corpse wobbled to its feet.
Diana, but not Diana. Whatever made
her human was gone, all that was
left was a husk.
ANN
Like Hal.
VORLAUF
The man promised me freedom if I
could outrun the dead. If I failed
then I’d be punished.
Four times. I failed four times. He
had Diana peel off parts of my skin
then forced me to devour my own
flesh each time I lost. The man
laughed. The fifth time I
ran...after a few minutes, I looked
over my shoulder and nothing was
following me except a trail of my
own blood. Maybe he was bored?
Maybe he thought my wounds would do
me in anyway. I left broken and
alone, but still had all the
Prophecies that Diana had copied
down. I found some people to teach
me to read so I could continue...
Diana had deceived me. Chasing down
Prophecies, she simply ignored the
ones I didn’t fit and assumed the
ones that described me were
confirmation.
ANN
What! Why would she do that?
VORLAUF
Magic, she was obsessed. I made my
own promise: I would eradicate
magic. Damn the “prophecy” and damn
anyone else. I would raze this
world of that cursed power, where
one person has the ability to
destroy so much while Laughing.
ANN
Did you ever go back?
VORLAUF
No. I will not fight if there is no
chance of winning and I could not
take companions who did not
understand the risk. Perhaps one
day I’ll return with my blade
unsheathed, but in the meantime I
will do my duty. I will annihilate
all magic. The only way to stop the
evil is to dig It out wherever It
lies. Some may curse my name, but
everything I do is for the sake of
humanity.
Alight?
ANN
Yes... alright.
SCENE BRAKE
ORA
(Muttering)
ELIZABETH
Thought you’d be hungry. For
breakfast, I brought tea and
biscuits.
ORA
It’s morning already??
ELIZABETH
If you didn’t notice the time, you
must have been making a lot of
progress.
ORA
I was. I am. Though by removing
lines that don’t have dead letters,
some of what I thought was true,
isn’t.
ELIZABETH
What isn’t true?
ORA
The parts that reflected Godrick’s
appearance and how the One is an
orphan. All of that is just wrong.
Just like he thought.
ELIZABETH
His death wasn’t your fault.
ORA
But It was. When his family was
attacked, if I created that magical
fire and not Godrick, then my whole
reasoning on why he was the Chosen
One was false. If I had known
myself, even a little more, then I
wouldn’t have forced him to accept
what I wanted. If I hadn’t done
anything, he’d be safe at home.
ELIZABETH
He died falling off a horse,
correct? Not in some grand battle
that only a Chosen One would fight.
It was an accident that could have
happened at any time. At least with
you by his side, he knew he had a
loyal friend.
ORA
With the dead coming back, do you
think that he...?
ELIZABETH
No. And far better that way.
Although, that reminds me...
...I wanted to give you this.
ORA
Is that Godrick’s?
ELIZABETH
Yes. When you brought me his amulet
I felt I needed to hold on to It,
to keep It in the family. But why?
I have no use for It, and I can see
that you were more family to him
than I ever was.
ORA
He was my brother.
ELIZABETH
If you would like It, I’d like you
to have It.
ORA
I...I would love to have It.
ELIZABETH
So, what else have you discovered
about the Prophecy?
(MORE)
ORA
Magic’s still important. Starting a
fire alone is fake, but now there’s
this line, “Moves nature.”
ELIZABETH
So the One still has to be able to
use magic.
ORA
Well, at least be able to
manipulate nature unlike others,
which means It still fits Isten.
Given his current state, his entire
being right now is magical.
ELIZABETH
Have you considered anyone else who
uses magic? Someone, perhaps, in
this very room.
ORA
Elizabeth...I wish to everything It
was you...but you said you can’t
create magic, and, and also...
ELIZABETH
But I’m not alone in here, am I?
ORA
No. No. No. It’s not me. No.
ELIZABETH
Why do you always look for someone
else to be the Chosen One, but
refuse to think It could be you?
ORA
No, I don’t fit some of these
lines. Like,
This, this here. A few of these
talk about a prominent scar or a
large scar. I’ve got a ton of tiny
scars, but nothing big.
ELIZABETH
And Isten has that?
ORA
He does. He likes...liked to
stretch in the morning. Something
about energy, and sometimes he
would stretch shirtless. He has a
huge scar across his chest.
ORA (CONT'D)
And this line “No doubt of self, a
kempt mind.” He’s the only dead who
kept his mind, he’s special. That
has to count for something.
ELIZABETH
Well, perhaps we should discuss
this more on a later date. When
you’re more comfortable with your
newfound powers. You should eat
your breakfast.
ORA
Uh, sure.
ELIZABETH
So, what else have you discovered?
ORA
A few locations are mentioned. Let
me find them...
ORA (CONT'D)
“Atop a red mountain, one’s destiny
awaits.”
Here’s another. “Silver walls
etched with silver meanings, when
the doors are opened there’s hope
for the future.” Oh, and, and
another. “Protecting and guarding,
the city contains secrets that can
help those who are lost.”
ELIZABETH
Those aren’t different locations.
They all describe one location.
ORA
What?
ELIZABETH
Carcerem.
ORA
Carcerem?
ELIZABETH
I only know of It through stories
from when I was child, but those
descriptions all fit the city
perfectly.
ORA
Do you know how to get there?
ELIZABETH
No, I don’t. But I know someone who
does.
SCENE BRAKE
LINUS
Are you certain the dead went this
way?
ANN
You can’t be serious. Look at the
footprints and broken branches. A
ton of people recently came through
here.
LINUS
I know, but I feel like we have
been here before...maybe they
double backed?
ANN
Scared?
LINUS
What? No... I mean... I just
meant...
ANN
Just wait until we get close, how
much do you want to bet that we’ll
be able to smell them before we see
them? That much blood and decaying
flesh should create quite an aroma.
LINUS
Great.
VORLAUF
It’s getting cold...
ANN
Should we stop?
VORLAUF
No, I have gloves.
OUCH!
ANN
What? What is It?
VORLAUF
I don’t know...but I’m bleeding...
Get me a jar with a lid.
LINUS
What?
VORLAUF
OUCH!! Get me a jar with a lid.
Now.
ANN
Is that a wisp?
VORLAUF
It is.
ANN
Why were you holding a wisp?
VORLAUF
It was in my pocket.
ANN
Why did you have a wisp in your
pocket?
VORLAUF
Ora was using It to track a
Prophecy. I killed when I fought
her, and apparently magic brought
It back to life.
LINUS
Why now? Why didn’t It come back to
life when all the others did?
VORLAUF
It probably did... but It was stuck
in my glove and couldn’t escape.
ANN
Does that mean we have to worry
about an army of undead bugs
attacking us?
LINUS
Do you want to give me new
nightmares?
VORLAUF
I doubt It...I think we would have
noticed that before.
LINUS
Maybe insects are too small?
VORLAUF
The wisp doesn’t appear controlled.
The dead are going south, yet this
creature seems to want to go to the
east.
LINUS
(groans)
VORLAUF
Why do you want to go east? What’s
there?
LINUS
You said It was tracking a Prophecy
before...maybe it’s still tracking
that?
ANN
Sometimes you’re not completely
stupid.
LINUS
Aw, thanks Ann.
ANN
Though you having a good idea, once
again, confirms this may be the end
times.
VORLAUF
It may be following the Prophecy.
And if It is, that means it’s
following Ora.
ANN
Oh! What a handy undead bug.
END OF EPISODE 23